CRAIG CULLYArtist and Educator

Drawing I
Contour line drawing mapping the progressive crushing of a plastic bottle
charcoal on paper
18" x 24" each

Drawing I
Contour line drawing showcasing linear perspective
charcoal on paper
18" x 24"
charcoal on paper

Drawing I
Contour line drawing showcasing linear perspective
charcoal on paper
18" x 24"

Drawing I
Observational contour line drawings using the formula for linear perspective to create a composite of an entire space from various vantage points and angles
graphite on paper
24" x 18" each

Drawing I
Observational drawings using the formula for linear perspective to render the underside of a stadium
charcoal on paper
18" x 24" each

Drawing II
Observational drawing using the formula for five-point perspective to render an interior space
graphite on paper
48" x 18"

Drawing II
Observational drawing using the formula for five-point perspective to render an interior space
graphite on paper
48" x 18"

Drawing II
Observational drawing using the formula for five-point perspective to render an interior space
graphite on paper
48" x 18"

Drawing I
Using the optical value method of crosshatching in a cross-countour manner to render a bone fragment
white charcoal pencil on black paper
18" x 24"

Drawing I
Portrait drawing using optical value
charcoal on paper
18" x 24"

Drawing I
Portrait drawing using optical value
24" x 18"
charcoal on paper

Drawing I
Portrait drawing using optical value
charcoal on paper
24" x 18"

Drawing I
Still life composition focusing on light and shadow
charcoal on paper
24" x 18"

Drawing I
Still life composition focusing on light and shadow
charcoal on paper
18" x 24"

Drawing I
Still life composition including clear glass, pattern drapery and reflective, mirrored object
black and white charcoal on grey paper
24" x 18"

Drawing I
Still life composition including clear glass, pattern drapery and reflective, mirrored object
black and white charcoal on grey paper
24" x 18"

Drawing I
Still life composition including clear glass, pattern drapery and reflective, mirrored object
black and white charcoal on grey paper
24" x 18"

Drawing I
Still life composition including clear glass, pattern drapery and reflective, mirrored object
24" x 18"
black and white charcoal on grey paper

Drawing I
Still life composition including clear glass, pattern drapery and reflective, mirrored object
black and white charcoal on grey paper
24" x 18"

Drawing I
Still life composition including clear glass, pattern drapery and reflective, mirrored object
black and white charcoal on grey paper
24" x 18"

Drawing I
Still life composition including clear glass, pattern drapery and reflective, mirrored object
black and white charcoal on grey paper
24" x 18"

Drawing I
Self portrait that communicates intended
content
charcoal on paper
34" x 42"

Drawing I
Self portrait that communicates intended
content
charcoal on paper
34" x 42"

Drawing I
Self portrait that communicates intended
content
charcoal on paper
34" x 42"

Drawing I
Self portrait that communicates intended content
charcoal on paper
34" x 42"

Drawing I
Self portrait that communicates intended content
charcoal on paper
42" x 34"

Drawing I
Self portrait that communicates intended content
charcoal on paper
34" x 42"

Drawing II
Still life composition in full color
pastel on paper
24" x 18"

Drawing II
Still life composition in full color
pastel on paper
24" x 18"

Drawing II
Still life composition in full color
pastel on paper
24" x 18"

Drawing II
Drawing that ironically uses the device of anamorphic distortion to alter the appearance of a supermodel
pastel on paper
24" x 18"

Drawing II
Drawing that ironically uses the device of anamorphic distortion to alter the appearance of a supermodel
pastel on paper
24" x 18"

Drawing II
Drawing that ironically uses the device of anamorphic distortion to alter the appearance of a supermodel
pastel on paper
24" x 18"

Drawing II
Composition of draped, colored cloth focusing on rendering light and shadow
pastel on paper
24" x 18"

Drawing II
Composition of draped, colored cloth focusing on rendering light and shadow
pastel on paper
24" x 18"

Drawing II
Composition of draped, colored cloth focusing on rendering light and shadow
pastel on paper
24" x 18"

Drawing II
Composition of draped, colored cloth focusing on rendering light and shadow
pastel on paper
24" x 18"

Drawing II
Using contemporary subject matter to compose a still life based on the genre of Vanitas examining three different light conditions
pastel on paper
24" x 18"

Drawing II
Using contemporary subject matter to compose a still life based on the genre of Vanitas examining three different light conditions
pastel on paper
24" x 18"

Drawing II
Using contemporary subject matter to compose a still life based on the genre of Vanitas examining three different light conditions
pastel on paper
24" x 18"

Drawing II
Still life composition that alludes to a landscape
pastel on paper
24" x 18"

Drawing II
Still life composition that alludes to a landscape
pastel on paper
24" x 18"

Drawing II
Using optical color to produce a self portrait
pastel on paper
18" x 24"

Drawing II
Using optical color to produce a self portrait
pastel on paper
24" x 18"

Drawing II
Using optical color to produce a self portrait
pastel on paper
24" x 18"

Drawing II
Using optical color to produce a self portrait
pastel on paper
24" x 18"

Drawing II
Collage-like drawing based on the primary tenets and visual characteristics of Postmodernism
pastel on paper
34" x 42"

Drawing II
Collage-like drawing based on the primary tenets and visual characteristics of Postmodernism
pastel on paper
34" x 42"

Drawing II
Collage-like drawing based on the primary tenets and visual characteristics of Postmodernism
pastel on paper
42" x 34"

Drawing II
Collage-like drawing based on the primary tenets and visual characteristics of Postmodernism
pastel on paper
34" x 42"

Drawing II
Collage-like drawing based on the primary tenets and visual characteristics of Postmodernism
pastel on paper
34" x 42"

Drawing II
Collage-like drawing based on the primary tenets and visual characteristics of Postmodernism
pastel on paper
34" x 42"